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CORRECTIONS from Satu: Robin is not about girlhood but boyhood and therefore it doesn’t belong on a Taylor Swift album for my money. Don’t make me care about boys! Without making the connection to Seven and other songs about girlhood I take back my glowing review.

I can’t believe I forgot to mention Chloe or Sam or Sophia or Marcus, arguably Taylor’s first direct and unequivocable mention of queer sexuality.

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Lol this is fair! I think Robin is about boyhood but also about cats and Taylor Swift's childhood so I give it a pass.

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Apr 26Liked by Swiftian Theory

I love this - also just pre-ordered your book! 😍 I completely agree about sitting with the music for a while before deciding how we feel about it. So many albums - both Taylor Swift’s, and other artists - I have to listen to multiple times before I really know which are my favourites or how it makes me feel. Controversially I didn’t love folklore when I first listened, and it’s now tied with 1989 as my favourite!

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Thank you so much! Folklore was such a change, it makes sense it took time to settle in. I feel like with Taylor, she speaks so directly that sometimes it just sounds very normal. Then suddenly you’re crying.

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Really appreciate this look at an undeniably messy and challenging record but one that I find really compelling! It has really toothy narrative stakes that I feel were obscured on Midnights and I'm happy for the return to form in that sense. Loving this era and as always excited to see what she does next.

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That’s such a great phrase - “tooth narrative stakes”. I agree. Midnights was much spacier and more vague.

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Perfect, perfect, perfect ❤️

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🤍So proud to have this review in Swiftian theory🤍

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Love this. “Please do not torture my poet” 🙌 I am completely obsessed with TTPD, it has so many layers. It takes a lot more than one or two listens to truly get into the depths of this album. Poetry should be savoured slowly.

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